Thursday, January 17, 2008

ULOB- Soul and body

Soul and body summary


  • Tereza's background

  • Tereza's mother

  • Tereza's soul

  • How Tereza and Tomas met

  • The scream and the hand in the night

  • Analysis of Tereza's dream

  • Vertigo

  • Sabina and Tereza bonding in the studio

  • Photographs

  • Swiss life for Tereza

  • Back to Prague

Themes

  • body and soul
  • vanity
  • soul reflected through the face
  • sacrifice and guilt
  • chance encounters
  • music
  • dreams
  • vertigo
  • helplessness and control
  • art and photography
  • nudity vs modesty
  • liberty vs repression
  • dependance
  • responsibility and duty

Motifs

  • swimming pool dream
  • nudity
  • books
  • anna karenina
  • music- beethoven
  • camera
  • 6
  • mirror
  • youth and beauty
  • blame and shame
  • suitcase

Characters

Tereza

Her character is developed in this section and we understand her much better. Looking at her mother and how Tereza is so ashamed of her past allows us to see how she can become so dependant on Tomas. The reader is led realise that Tereza has the ability to be afraid of anything as her emotional state is so delicate and she has the tendancy to be paranoid.

Tomas

His character is not deveolped particularly in this section. The idea of Tomas' control is emphasised however, particularly with his order of 'strip'.

Sabina

Sabina is developed in this section most strongly as in this section she becomes a much fuller character rather than simply Tomas' mistress. She is developed through her artwork ; as she explains her paintings the reader gets the impresson of how unconventional and independant she wishes to be.

Place

As in lightness and weight the two main settings are Prague and Zurich. The only difference that comes with Tereza's viewpoint is how she sees the two places. At the end of the section she expresses how Prague seems to her to be a 'camp of the weak' and she relates with this and returns to Prague. Zurich, to Tereza unlike Tomas, is very much a foreign place where she is dependant for every part of her life. Prague=control Zurich=dependance

Narrative Voice

As before there are definite moments where the author reminds us hat he is but telling a story with fictional characters. He still continues to break with the narrative to explore philosophy and also to bring movements in time. The frequent lacunae give a fast paced feel. Curiously i do not find the book jumpy but i can't quite put my finger on why yet...

Quotes

'Tereza was born of the rumblings of a stomach' pg37

'irreconcilable duality of the body and the soul' pg37

'she thought she saw her soul shining through the features of her face.'

'her soul would rise to the surface of her body like a crew charging up from the bowels of a ship, spreading out at the deck, and singing in jubilation.' pg 39

'being a mother meant sacrficing everything'pg 41

'Her behaviour was but a single grand gesture, the casting off of youth and beauty' pg 43

'books were the emblem of the secret brotherhood' pg45

'there she stood before sabina naked and disarmed.' 62

'a carnival of hate filled with a curious (and no longer explicable) euphoria' pg 64

'camp of the weak' 69

'she was like her country, which stuttered , gasped for breath, could not speak.' pg 71

'heay suitcase above her head' 72

'it was a sense of beauty that cured her of her depression and imbued her with a new will to live.' 74

Tuesday, January 15, 2008

The Unbearable lightness of being- lightness and weight

Lightness and weight summary

  • Explanation of the term lightness and weight
  • Introduced to Tomas and Tereza
  • Tomas' background
  • Tomas' infidelities
  • Tereza's dreams
  • linguistics of compassion
  • Karenin
  • The Prague Spring
  • Zurich
  • muss es sein?

Themes

  • philosophy
  • fidelity vs infidelity
  • lightness vs weight
  • how do you define what is positive and what is negative?
  • Dreams
  • isolation
  • shame vs guilt
  • love


Characters

Tomas

  • doctor, divorced
  • associates lightness with positive
  • sleeping and sex are opposites

Tereza

  • Dependant
  • Afraid of women
  • threatened
  • associates weight with positive

Motifs

  • aesthetics
  • culture
  • politics
  • animals
Place

There are two main settings in this section. Prague and Zurich. However, these places are only significant in so far as they relate to the events of the prague spring. In both cities Tomas and Tereza live in a small flat bare of all but the necesities of life. For Tereza and Tomas Prague symbolises weight and Zurich lightness therefore they are pulled to opposite cities. It is only love that keeps them together and ultimately in Prague for Tereza's peace of mind.

Narrative Voice

The narrative voice is the voice of the author. The reader is very aware of the fact that the author has created these characters from his experiences and this point is emphasised at points within the novel. At times Kundera focuses on different characters and aspects at a time and in lightness and weight he most certainly focuses on Tomas.

Quotes

'i have been thinking about Tomas for many years' pg5

'she seemed a child to him, a child someone has put in a blurush basket daubed with pitch and sent downstream ...' pg6

'If polybus hadn't taken in the young oedipus, sophocoles wouldn;t have written his most beautiful tragedy.' pg10

'making love with a woman and sleeping with a woman are two seperate passions, not merely different but opposite.' pg 14

'All women were potential mistresses for Tomas and she feared them all' pg 17

'The realization that he was utterly powerless was like the blow of a sledgehammer, yet it was curiuosly calming as well.' pg 28